This album was entirely recorded using the "musique concrète" cut and splice method of assemblage. Recorded in 1991 on 1/4 track reel-to-reel tape recorders, employing tape loops and over-dubbing rather than multi-tracking. All of this with out the aid of any pre-made effects (digital or analog), in other words, the apparent reverb and delays (echos) heard throughout are created with feedback (tape delay) on the reel-to-reels or naturally occurring reverberations, on one track by suspending microphones in 55 gallon oil drums and performing the music outside of the oil-drum… read more
This album was entirely recorded using the "musique concrète" cut and splice method of assemblage. Recorded in 1991 on 1/4 track reel-to-re… read more
This album was entirely recorded using the "musique concrète" cut and splice method of assemblage. Recorded in 1991 on 1/4 track reel-to-reel tape recorders, employing tape loo… read more
skozey fetisch is the Experimental Noise / Occultronic / SuperFreaky / Sound Art project of Mark C. Jackman. Mark C. was born in Salt Lake City, Utah and relocated to San Francisco in 1988. The first skozey fetisch recordings were executed in San Francisco's Haight / Ashbury district in 1989. Jackman also dabbles in the visualable arts and is the primary artist responsible for skozey fetisch album covers and designs. The conceptualization of skozey fetisch occurred when Mark C. began scoring the experimental student films of Andrew Langton, which in turn led to composing scores… read more